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Federal Court
Decision Delineates Copyright and Industrial Design Boundaries
Copyright v.
Industrial Design: Which one do you need?
In a recent decision (Pyrrha
Design Inc., et al. v. 623735 Saskatchewan Ltd; T-531-02), the
Federal Court of Canada issued a summary judgment decision
dismissing a copyright infringement action in its entirety on
the basis that jewellery designs made in quantities greater than
50 are not protected by copyright. At the crux of the case was
the application of s. 64(2) of the Copyright Act, which
states:
s. 64 (2) Where copyright
subsists in a design applied to a useful article or in an
artistic work from which the design is derived and, by or
under the authority of any person who owns the copyright in
Canada or who owns the copyright elsewhere,
(a) the article is reproduced
in a quantity of more than fifty, or
(b) where the article is a
plate, engraving or cast, the article is used for producing
more than fifty useful articles,
it shall not thereafter be an
infringement of the copyright or the moral rights for anyone
(c) to reproduce the design
of the article or a design not differing substantially from
the design of the article by
(i) making the article, or
(ii) making a drawing or
other reproduction in any material form of the article, or
(d) to do with an article,
drawing or reproduction that is made as described in
paragraph (c) anything that the owner of the copyright has
the sole right to do with the design or artistic work in
which the copyright subsists.
In other words, once more than
fifty of an article are made, the article no longer enjoys the
protection of the Copyright Act. Section 64(3) of the Act
provides exceptions to this rule including such instances as
where the article is:
(a) a graphic or photographic
representation that is applied to the face of an article;
(b) a trade-mark or a
representation thereof or a label;
(c) material that has a woven
or knitted pattern or that is suitable for piece goods or
surface coverings or for making wearing apparel;
(d) an architectural work
that is a building or a model of a building;
(e) a representation of a
real or fictitious being, event or place that is applied to
an article as a feature of shape, configuration, pattern or
ornament;
(f) articles that are sold as
a set, unless more than fifty sets are made; or
(g) such other work or
article as may be prescribed by regulation.
Here, the Plaintiffs (Pyrrah) had
claimed that the Defendant (623735 Saskatchewan Ltd.) had copied
jewellery designs, and that this constituted an infringement of
their copyright in those designs. The Defendant had argued that
since the designs had been made in quantities of 50 or more, the
exception to infringement granted under s. 64(2) of the Copyright
Act was applicable, and as a result there was no copyright
infringement. The Defendant’s argument concluded that since
there was no infringement, there was no cause of action, and so
the action should be dismissed.
The Court agreed, finding that s.
64(2) of the Act was applicable, and that none of the
exceptions under s. 64(3) applied to negate s. 64(2). Of
interest, the Court also determined that jewellery was a useful
article, following the definition provided in the earlier case
of Datafile Ltd. v. DRG Inc. (1991), 35 C.P.R. (3d) 243,
and persuaded by evidence provided by the Defendants that more
than 1,100 industrial designs exist for items of jewellery.
Following the analogy in Datafile, the Court determined
that since jewellery design in three dimensional, it is properly
subject matter for registration under the Industrial Design
Act. Furthermore, jewellery does not qualify under one of
the s. 64(3) exceptions as "it is not bought purely and
simply for its artistic properties but because of the utility of
the article apart from the design."
In this case, the only salvation
for the Plaintiffs would have been to register the designs under
the Industrial Design Act, which was enacted specifically
to provide protection for creations where copyright protection
left off. However, s. 6(3) of the Act provides a
limitation period such that once a design has been
"published" for more than one year, it is no longer
possible to secure a registration. Here, the designs were older
than one year at the time the action was initiated and so were
no longer capable of being registered as industrial designs.
The decision illustrates the
importance of fully evaluating the nature of one’s
intellectual property in order that the proper forms of IP
protection can be used. Here, the failure of the plaintiffs to
appreciate that manufactured jewellery came under the exception
to infringement contained in s. 64 of the Copyright Act,
combined with the fact that the designs had been in production
for several years and so no longer qualified for registration
under the Industrial Designs Act, meant that they are
completely without protection for the IP in their designs.
Between patents, trademarks,
copyright and industrial design, almost every new creation can
be the subject of some form of IP protection scheme. The lesson
to be learned from this case is that whenever a person or
company produces anything novel, it is worth consulting with an
IP professional to determine which one of these forms of
protection are available in order to fully protect those
creations. Failure to make a proper evaluation could have
significant financial consequences down the road.
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